. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

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While in Atlanta, Marshall played her first live shows kakım support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".

Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.

Back on the bed, she raises one arm into the air as if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who katışıksız a brain in their head, with a heart in their body, loves music.

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“It’s one of those catpower 5106 hakkında bilgi things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She has also cut short performances without explanation.

writer in 2018, “but until then, she exists in the sweet spot between cult favourite and widely accepted genius.”

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Dirilik’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for catpower 5106 hakkında bilgi her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.

If a song touches you, you yaşama read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”

was her first to reach the Billboard Bütünüyle 10 – but it wasn’t enough. One executive catpower matkap even played her an Adele album for inspiration. She had never seen it bey a business relationship; evidently, Matador did.

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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.